DEVELOPMENT
The development period belongs to the project producer, who starts gathering the ideas for the film- rights from books, plays, etc. if needed- until the final draft of the screenplay is completed. During this time, a first synopsis is done, which will help the lead producer sell the idea and raise funds. Often, storyboards and other visual aids will be drafted to accompany the script and help the producer communicate the essence of the film.m.
PRE PRODUCTION
With enough funding, pre-production can begin, starting with selecting the cast, crew, locations of the shoot, building of sets and props, etc. Shot lists are put together, and the producer starts working on a schedule for the entire shoot, starting broad and getting more specific as production begins to ramp up.
PRODUCTION
The assistant director (AD) shines during production as the footage is filmed by coordinating all the different teams simultaneously. Actors, possibly after days or weeks of rehearsing, finally shoot their scenes as the production crew–grips, lighting, sound, camera, etc. work hard to make every second count and shot look as great as possible. Writers and producers may be on set, but the director is calling all the shots creatively–with their AD making sure they’re sticking to the schedule and getting the footage they need before it’s time to move on.
POST PRODUCTION
This is where the editor comes into play, and if the budget is big enough, visual effects teams. In collaboration with the director, editors assemble takes and shots and create a linear film based on hours of footage. For bigger productions, teasers can be done during this time to start marketing. A music composer comes in to orchestrate the score of the movie as the final cut begins to loom. Sound design and color direction are important elements during this time and culminate in picture lock–the film’s final edit.
DISTRIBUTION
Theatrical distribution is typically divided between domestic and international and involves agreements with production companies to pay for the film to screen at physical theatres. Previously, producers would also concentrate their efforts on how the films would be made into physical copies of VHS, DVD, or Blu-Ray and make deals with video rental chains, but nowadays, streaming is king.
While smaller filmmakers may try to get on as many platforms as possible–Amazon Video, Hulu, Netflix, etc.–getting an exclusive deal with a single platform may be more lucrative, especially if it comes with promotion on the platform’s end. Hand in hand with marketing, promotion for the film during its release is also key, including press interviews, red carpet premieres, and other launch parties.
